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PUBLICATIONS (authored articles and books in bold)

2017 Blacklow, Laura. New Dimensions in Photo Processes: A Step-by-Step Manual for Alternative Techniques. New York: Routledge, 2017, two casein images published.

2017 Anderson, Christina Z. Gum Printing, A Step-by-Step Manual Highlighting Artists and Their Creative Practice. New York: Routledge, 2017.

2016 “The Bleach-Etch Process aka Mordançage” pp. 164–166, and “Chapter 15 How to Make Digital Negatives” pp. 170–181 in Steve Anchell’s The Darkroom Cookbook, 4th ed. New York Routledge, 2016.

2015 “Going Forwards, Looking Backwards” and “17 Kinds of Handmade Processes” in Chinese Photography (March, issue and page no.s? in Chinese), a review of our work, our book, and several images and writings published.

2014 Jianming, Zhong, Samuel Wang, and Ying Aiping. Photography and Expression. Hangzhou: Zhejiang Photographic Publishing Co., one image published.

2014 Jianming, Zhong, Samuel Wang, Sandy King, and Christina Z. Anderson. Handcrafted: The Art and Practice of the Handmade Print. Hangzhou: Zhejiang Photographic Press, 2014. (经典手工影像著   孔 耐 钟建明 山姆· 桑迪· 克里斯蒂娜· Z ·安德森  浙江影出版社)

2014 Anderson, Christina Z. “Iterations” in The Hand Magazine, Issue 4, April 2014, pp. 32-33.

2014 Anderson, Christina Z. “Essay” in the handmade photograph, issue 2, Summer 2014, pp. 33-35.

2014 Dillinger, Christophe. “Christina Z. Anderson, Family of Origin” in Square, January 2014, pp. 50-59. http://www.squaremag.org/404-FR-GB.pdf

2013 “Lightbox Photographic Gallery Photocraft+2 Publisher’s Award” in Diffusion Magazine: Special Issue: A Proclamation for Unconventional Photography, fall 2013, p. 39, four images published.

2013 Jannotta, Sepp, “The Stuff of Dreams” in Mountains and Minds, Bozeman: Montana State University Press, Fall 2013 pp. 58-62, article on my research/work.

2013 Butko, Brian. The Lincoln Highway, Photos Through Time. Illinois: Lincoln Highway Association, collaboration to have three photographs published from the family archives.

2013 Anderson, Christina. “Casein Printing; Excerpt from Gum Printing and Other Amazing Contact Printing Processes” in PhotoTechnique Magazine, July/August 2013 pp. 11-14.

2013 Enfield, Jill. Jill Enfield’s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques. Massachusetts: Focal Press, June 2013, four images published.

2013 Anderson, Christina Z. Gum Printing and Other AMAZING Contact PrintingProcesses. Bozeman: Z Photo Press.

2013 Anderson, Christina Z. The Chemigram. http://www.alternativephotography.com/wp/processes/chemigrams/the-chemigram

2013 Anderson, Christina Z. Digital Negatives. http://www.alternativephotography.com/wp/negatives/digital-negatives

2013 Anderson, Christina Z. How to Make Digital Negatives. http://www.freestylephoto.biz/alternative-process/making-digital-negatives

2012 Anderson, Christina Z. The Experimental Photography Workbook. Bozeman: Z Photo Press. 2012 Anderson, Christina. “Wilson Bentley’s Snow Crystals and the Bleach-Etch/Mordançage Process” in Photo Technique Magazine, Jan/Feb 2012 pp. 14-16.

2011 Anderson, Christina. “A Matter of Spirit” in Silvershotz, The International Journal of Contemporary Photography, Volume 7: 2, pp. 24-40.

2011 Anderson, Christina. “Navigating the Photography Workshop Experience” in exposure, Volume 44:1 Spring 2011, pp. 46-47.

2011 Anderson, Christina. Sam Wang, Four Decades of Photographic Explorations, http://www.alternativephotography.com/wp/book-reviews/sam-wang-review

2010 Anderson, Christina. Mordancage. http://unblinkingeye.com/Articles/Mordancage/mordancage.html

2010 Anderson, Christina. “Role Models: Feminine Identity in Contemporary American Photography”  in exposure,  Vol 43:2 Fall 2010, pp. 46-47

2010 Kockaerts, Roger and Johan Swinnen. De Kunst Van Het Fotoarchief (The Art of the Photo Archive. Brussels: Academic and Science Publishers, 2010, p. 367 one of my gum prints published.

2010 Santora, Patricia, Margaret Dowell and Jack Henningfield, eds., Addiction and Art. Baltimore: Johns Hopkins University Press, 2010, pp. 134-135,

2010 Anderson, Christina, “Chromoskedasic Printing Revisited” in Photo Technique Magazine, Vol. 31 No. 3 May/June, pp. 12-18.

2009 Anderson, Christina Z.  “An Unlikely Weapon:  The Eddie Adams Story” book review in exposure, V. 42:2, fall 2009, pp. 46-7.

2009 Anderson, Christina Z.  “Animalia” book review in exposure, V. 42:1 spring 2009, p. 61.

2009 Anderson, Christina Z.  “Night and Low Light Photography” book review in exposure, V. 42:1, spring 2009, p. 62.

2009 Anderson, Christina Z.  Quick and Easy Chromoskedasic Sabattier.http://www.freestylephoto.biz/chromoskedasic-sabatier

2009 Hirsch, Robert. Photographic Possibilities, The Expressive Use of Equipment, Ideas, Materials, and Processes, 3rd Edition.  UK:  Elsevier, 2009.  Two images published as well as my process notes on mordançage

2009 Anderson, Christina Z. The Ziatype Process. http://www.alternativephotography.com/wp/processes/platinum/the-ziatype-process

2008 Anderson, Christina Z. The 19th Century Gum Bichromate Process in 21st Century Concept and Techniques.

http://www.alternativephotography.com/wp/processes/gum-bichromates/19th-century-gum-bichromate-process

2008 Anderson, Christina Z.  By Gum!  British Journal of Photography, Oct. 22 2008, pp. 35-37.

2008 James, Christopher.  The Book of Alternative Photographic Processes, Second Edition, two gum bichromate images published.

2007 Anderson, Christina Z. “Gum Printing, Then and Now.” Magnachrom, Vol. 1 Issue 6, Sept. 2007. http://magnachrom.blogspot.com/2008/08/gum-printing-then-now-by-christina-z.html

2007 Fabbri, Malin. Alternative Photography—Art and Artists 2007, two pages from the Disaster Series published.

2006 Anderson, Christina Z. Distressing Negatives.http://www.alternativephotography.com/wp/negatives/distressing-negatives

2006 Anderson, Christina Z. Alternative Processes, Condensed—A Manual of Gum Dichromate and Other Contact Printing Processes.

2000 Anderson, Christina Z.  Tutti Nudi--Reflections on the Reemergence of the Nude During the Italian Renaissance. New York:  Midmarch Arts Press.

 

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