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EXHIBITIONS, SOLO, DUO, TRI, QUAD

2017 Photography Otherwise #3, January –March, Atelier pH7, Brussels, Belgium, seven works invited

2016 Christina Z. Anderson: Contemporary Vanitas, Alternative Process Works, solo show, November 9–22, Gallery Now, Seoul Korea, 32 works exhibited

2016 Squish Series, March 24–May 15, Black Box Gallery, Montana State University, Bozeman, Montana, 16 works exhibited

2015 Awakenings, September 1–November 23, Cornelius Arts Center, Cornelius, North Carolina, quad-show with 7 works invited

2014  A Matter of Spirit, solo show, Bethany Lutheran College, Mankato, Minnesota

2013 The Bentley Archives, solo show, The Old Red Mill, Jericho, Vermont

2013 The Bentley Archives, solo show, Dean’s Gallery, Bozeman, Montana

2012 Recording the Personal Landscape, duo-show, Howard County Center for the Arts, Ellicott City, Maryland

2011 Squish Series, Parking Lot, solo show, Fine Arts Center, Greenville, South Carolina

2010 Squish Series: Parking Lot, solo show, Green River Community College, Auburn, Washington

2009 A Matter of Spirit, solo show, Carson-Newman College, Jefferson, Tennessee

2009 Christina Z. Anderson:  Alternative Process Works 2005-2009, solo show, Zoot Art Gallery, Bozeman, Montana

2008 Squish Series:  Parking Lot, solo show, College of Arts and Architecture Dean’s Gallery, Bozeman, Montana

2008 Parking Lot, solo show, Robichaud and Anderson Gallery, Minneapolis, Minnesota

2007 The Spiritual Landscape:  Alternative Process Works 2004-2007, solo show, Atelier pH7, Brussels, Belgium                       

2007 Alternative Visions:  Christina Z. Anderson/Amy Holmes George, duo show, Kucera Gallery,  Corpus Christi, Texas

2005 Contemporary Vanitas, solo show, Robichaud and Anderson Gallery, Minneapolis, Minnesota

2005 The Chronic Ironic, duo thesis show, Clemson University, Clemson, South Carolina

EXHIBITIONS/ GROUP, JURIED

2016 Remnants, September 10–October 6, Lightbox Photographic Gallery, Astoria, Oregon, jurors Nadezda Nikolova-Kratzer and Kaden Kratzer, two entries accepted, 45 artists exhibited, (Jurors’ Award for Swing Set II)

2016 Out of the Blue: Explorations in Cyanotype, August 6–27, PhotoSynthesis, Manchester, Connecticut, juror Jesseca Ferguson, two entries chosen out of 50 works by 37 artists exhibited (Director’s Award for Georgia).

2014 The Art of Handmade and Alternative Photography, April 4–27, Vermont Center for Photography, Brattleboro, Vermont, juror Jesseca Ferguson, one entry chosen out of 73 works by 47 artists out of 397 submissions

2014 Same But Different, New York Center for Photographic Arts, New York, New York, juror Darren Ching of Klompching Gallery, one entry chosen out of 50 images selected from 1000 submissions

2014 Light Sensitive 2014, Art Intersection, Gilbert, Arizona, juror Tom Persinger, one entry accepted out of 97 chosen from 508 submissions

2013 Photo-Craft 2, LightBox Photographic Gallery, Astoria, Oregon, juror Blue Mitchell, three images accepted (Publisher’s Award for publication of my work in Diffusion magazine)

2013 Rural Impressions, New York Center for Photographic Art, New York, New York, juror Aline Smithson, one entry chosen (honorable mention) from over 1000 works

2013  By Any Means, Alternative Photographic Processes, Florence Quarter Gallery, Tucson, Arizona, three works juried from the Past Lives series

2013 Birds, Real or Imagined, Photo Place Gallery, Middlebury, Vermont, juror S. Gayle Stevens,one work accepted out  of 40 chosen from 1000 submissions

2012   Enchantment, Plates to Pixels Gallery, Portland, Oregon, juror Blue Mitchell, 3 images chosen, 1st place for Dancer mordançage.

2012 Best of Light Sensitive, Christina Z. Anderson, Michael T. Puff, and Bryan David Griffith, juried show, Art Intersection, Gilbert, Arizona

2012 Light Sensitive, A National Exhibition of Analog Photography, Art Intersection, Gilbert,Arizona, juror Dr. Rebecca Senf, Norton family curator at the Center for Creative Photography, one of 53 works accepted out of 280; one of three photographers selected to be in a group show in November–January

2011 Photoplace Open 2011, Photo Place Gallery, Middlebury, Vermont, juror Alison Nordstrom, one work accepted out  of 75 chosen from 1776 submissions

2011 Photo Alchemy, A Juried Exhibition of Contemporary Alternative Photography, 23 Sandy Gallery, Portland, Oregon, juror Laura Moya, one work accepted

2010  Art and Addiction, at the Center for Substance Abuse Treatment (CSAT), one of only 14 works juried from the book Art and Addiction for the Adolescent Treatment Effectiveness Conference, Renaissance Hotel, Baltimore Maryland December 14-16

2010 Photos with Words, Photo Place Gallery, Middlebury, Vermont, juror Liz Lee, one work accepted out of 40 chosen from 500 submissions

2010 Alternatives 2010, Quay School of Art, Wanganui, New Zealand, jurors Elizabeth Cunane and Rita Diebert, four chromoskedasic works accepted

2010 Paducah Summer Festival Photo Competition, Paducah, Kentucky, juror Michael Johnson, two works chosen for a 76 work/101 photographer show from 1190 submissions by 429 photographers

2010 Dirty Show Eleven 2010, Bert’s Warehouse Theatre, Detroit, Michigan, jurors/curators Les Barany, Zoe Corleone, Tristan Eaton, and Genevive Zacconi, two entries requested for automatic acceptance

2009 170 years Photography: the Art of the Photo Archive, historic overview of photographic techniques and processes from the daguerreotype to ink jet printing from the collection Atelier pH7, November, Vrije Universiteit Brussel GalerY, Pleinlaan2, 1050 Brussels

2009 3rd Annual Photography Re-imagined, Tilt Gallery, Phoenix, Arizona, juror Jill Enfield, one entry accepted

2009 5th Annual Alternative Processes Exhibit, Soho Photo, New York City, New York, juror Robert A. Schaefer, Jr., one entry accepted

2009 Dreams and Fantasies, Photo Place Gallery, Middlebury, Vermont, juror Elizabeth Siegfried, one entry accepted out of 42 chosen from 339 submissions

2009 33rd Annual National Photo Competition, George A. Spiva Center for the Arts, Joplin, Missouri, juror Jim Stone, one entry accepted (merit award)

2009 The Feast:  A Juried Exhibit About Food, Pittsburg State University, Pittsburg, Kansas, juror Liz Hickok, one entry accepted

2009 Memento Mori:  Contemporary Manifestations, Claypool-Young Art Gallery, Morehead State University, Morehead Kentucky, juror Eleanor Heartney, one work juried out of less than 15% accepted of 350

2008 Alternative Processes:  A Traveling Exhibition, Texas Photographic Society, San Antonio, Texas, juror Christopher James, one work accepted

2008 Inspiration:  Action, Ideas, Influence, Academy of Art University Gallery, San Francisco, California, juror Ann Jastrab of Rayco Photo Center, two works accepted

2008  Fourth Annual Alternative Processes Exhibit, Soho Photo, New York City, New York, juror Dan Estabrook, two works accepted for an exhibit of 40 out of 650 entries

2008 Photography Re-imagined, Tilt Gallery, Phoenix Arizona, juror Christopher James, two entries accepted (honorable mention)

2008 Alternatives 2008, Quay School of Art, Wanganui, New Zealand, jurors Elizabeth Cunane and Rita Diebert, three works accepted

2008 Art and Addiction, John’s Hopkins University, Rockville Maryland, one entry accepted among 60 out of 1000 works from 42 states and 14 countries, jurors Jack E. Henningfield, Patricia B. Santora, Margaret Dowell, and Denise A. Smith

2008 Art and Addiction, San Juan, Puerto Rico, one entry accepted among 60 out of 1000 works from 42 states and 14 countries, jurors Jack E. Henningfield, Patricia B. Santora, Margaret Dowell, and Denise A. Smith, ($200 honorarium for book publication)

2008 The Kinsey Institute’s 2008 Juried Art Show, Kinsey Institute Gallery, Indiana University, Bloomington, Indiana, jurors Herbert Ascherman, Catherine Johnson-Roehr, and Pet Silvia, two entries juried

2008 Gender Politics, 2008 Women’s and Gender Studies Biennial Juried Art Exhibition,Loranger Gallery, University of Detroit-Mercy, Michigan, jurors Amy Deines and Libby Blume, one entry accepted

2008 Society for Photographic Education Exhibition, Center for Fine Art Photography, Fort Collins, Colorado, juror Tim Anderson; gum bichromate print one of 50 prints chosen for online exhibit and one of only 10 chosen for exhibition at the gallery during the SPE conference.

2008 Photography Faculty Works, Renne Library, Montana State University, Bozeman, Montana

2007 Planes, Trains, and Automobiles, Center for Fine Art Photography, Fort Collins, Colorado, juror Andy Darlow, one work accepted from 1200 entries

2007 Soho Photo Third National Alternative Processes Exhibition, New York City, New York, juror Tricia Rosenkilde, one work accepted

2007 Alternatives, Center for Fine Art Photography, Fort Collins, Colorado, juror Elizabeth Spungen, one work accepted

2007 Photography, Re-Imagined, Tilt Gallery, Phoenix, Arizona, juror France Scully Osterman, one work accepted

2007 Photography as Witness, University of Maine, Lord Hall Galleries, Orono, Maine, Juror Dr. Michael Grillo, eight works accepted for a six-person show

2007 Handcrafted, Visual Edge 3, Viewpoint Photographic Art Center,Sacramento, California jurors Mary Swisher and Kerik Kouklis, one work accepted.  (honorable mention)

2006  Alternatives 2006, Quay School of Art, Wanganui, New Zealand jurors Elizabeth Cunane and Rita Diebert, three works accepted

2005 Southeastern Printmaking Invitational traveling show, United States, juror Denise Woodward, one work accepted

2005 CAA Regional MFA Exhibition, Lowe Gallery, Atlanta, Georgia,jurors Bill Lowe and Robin Dana, one work accepted

2004 Expressive Images-Intimate Photography, The Gallery, Keeble and Shuchat Photography, Palo Alto, California, juror Jim Flack, one work accepted

EXHIBITIONS/ GROUP INVITATIONAL

2016 Lang Jingshan Cup China New Pictorial Photography, China International Photography Museum,  Huaian City, Jiangsu Province, China, two works invited

2016 Exposure: An Exhibit of Works by MSU Photography Faculty, Helen E. Copeland Gallery, Montana State University, Bozeman, Montana, ten works exhibited

2016 Authentic Constructions, Photo+Craft, Asheville, North Carolina, March 31-April 2, five works invited

2016 This is a Photograph, curated by Dan Estabrook, March 22–May 1, Penland Gallery & Visitors Center, Penland School of Crafts, Penland, North Carolina, three works invited

2015 Le Opere del Gruppo Rodolfo Namias a Ischia (The works of Rodolfo Namias Group in Ischia), October 10–November 10, Bourbon Prisonl, Aragonese Castle, Ischia, Italy, six works invited

2015 The Print Exposed, June 10–July 15, Blanco Negro, Alexandria, New South Wales, Australia

2015 The Print Exposed, March 18t –May 10th, Gold Street Studios, Victoria, Australia, 9 works invited

2015Home Bound, January 17-February 28, Art Intersection, Gilbert, Arizona, 9 works invited

2015  A Show of Hands, at A1 LabArts Gallery, in conjunction with the Southern Graphics Council International meeting, Knoxville, Tennessee, one work invited

2014 Handcrafted: The Art and Practice of the Handmade Print, traveling show of four authors’ works accompanying book publication (21 of mine), Wu Yue Image Space, Beijing, China

2014 Handcrafted: The Art and Practice of the Handmade Print, traveling show of four authors’ works accompanying book publication (21 of mine), Guanhzhou Academy of Arts, Guangzhou, China

2014 Handcrafted: The Art and Practice of the Handmade Print, traveling show of four authors’ works accompanying book publication (21 of mine), Pingyao International Photography Festival, PingYao, China

2014 Handcrafted: The Art and Practice of the Handmade Print, traveling show of four authors’ work     accompanying book publication (21 of mine), Nanjing University of the Arts, Nanjing, China

2014 Square Magazine traveling exhibit of published works, Birmingham City University, Birmingham United Kingdom, April 16-May 16th

2014 Square Magazine traveling exhibit of published works, Le Carré d Art, Rennes, France, May 22nd–June 26

2014 Square Magazine traveling exhibit of published works, Oxford, England,

2014 Tecniche antiche, immagini moderne (Old techniques, modern pictures) Strada Nuova Museum, Palazzo Rosso Gallery, Genova, Italy (http://www.museidigenova.it/spip.php?rubrique227), April 11-May 11, 6 works invited

2014 CAA Research Day Exhibit, one-week show in conjunction with CAA Research Day, Montana State University, Bozeman, Montana, three works invited

2013  Antiquarian Alchemy, Serenbe Photography Center, Palmetto, Georgia, curated by S. Gayle Stevens, one image invited

2013  Behold, Helen E. Copeland Gallery, Montana State University, Bozeman, Montana, 9 works exhibited

2013 PSA National Photography Invitational, Paducah School of Art, Paducah Kentucky, one of eleven artists asked to participate, 3–5 works each

2012 The Mentor’s Hand, first annual educator exhibition, Freestyle Photo, Los Angeles, California

2012 The President’s Fine Art Series, Helen E. Copeland Gallery, Montana State University, Bozeman, Montana, eight works invited

2011 SPENW Members Show, Kress Gallery, Spokane, Washington, two works invited

2011 Friends of Project Basho, Philadelphia, Pennsylvania, one work invited

2011 Transfixed: The Artist’s Hand in Photographic Process, Lexington, Kentucky, five works invited

2010 Landscape, The Photo Gallery, Bristol, England, two works invited

2010 UNC Asheville Invitational Art Exhibition, Asheville, North Carolina, six works invited

2010 Push: Process, CoExist Galleries and Studios, Essex, England, seven works invited

2010  Current Work, Faculty show, Helen E. Copeland Gallery, Montana State University, Bozeman, Montana, twelve works exhibited

2009 F295 21st Century Photography, 707 Penn Gallery, Pittsburgh, Pennsylvania, two works accepted

2008 Look at Life,  John Allans Gallery, New York City, New York, eight works accepted

2008 Katrina:  Christina Z. Anderson/Chris Jordan and others, Bellevue Community College, Bellevue, Washington, curator Eric Tomberlin, 16 works accepted

2008 Alternative Photo Processes Today, Atelier pH7, Brussels, Belgium, one work accepted

2007 Figuratively Speaking, Renaissance Center, Dickson, Tennessee, six works accepted

2007 Current Work, Faculty Show, Helen E. Copeland Gallery, Montana State University, Bozeman, Montana, twelve works accepted

2007 Personal Visions: Exhibition of Photography by American Professors, Nanjing Art Institute, Nanjing, China, curator Sam Wang, five works accepted

2006 Personal Visions: Exhibition of Photography by American Professors, Ping Yao International  Photography Festival, Ping Yao, China, curator Sam Wang, five works accepted

2006 Experimental Photography, Emerson Cultural Center, Bozeman, Montana, curator Ellen  Ornitz, five works accepted

2005 Culmination 2, Lee Gallery, Clemson University, Clemson, South Carolina, curator Denise Woodward, one work accepted

2005 Authenticity of Memory:  Alternative Processes, Houston Center of Photography, Houston, Texas, curator Clay Harmon, four works accepted

2004  Art of the Process, Glendale College Art Gallery, Glendale, California, curator Jan Pietrzak, two works accepted

2002 Current Work, Faculty show, Helen E. Copeland Gallery, Montana State University, Bozeman, Montana

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